This Floating Excrement Was Far Too Meaningful! These Are the Television Letdowns of the Year.

Looking back, we reflect on the television landscape of the past year, a selection of series stand out not for their excellence, but for their notable failures. Ranging from cringe-inducing spin-offs to bafflingly bad docuseries, here are the productions that left us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Plagued with dreadful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. For a moment, as the third season started, it looked like it had at last hit its stride. Then came an installment all about Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It concluded on a bum note; the closeup of Miranda’s loo flooded with poo was simply too on-the-nose. Yet, fans certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this show's issues. The recipient of a very rare no-star review, it was hard to know where to start listing the problems. The laughably wooden writing? The tedious veneration of affluence and materialism? The almost wilful procession of tropes? Acting so poor they felt borderline malicious? Suffice it to say “each and every one” and never speak of this show again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be reserved for the people who have had to endure close contact with this charming but dismissive narcissist.

The Iris Affair

Of course we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy characters convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t suffer the ignominy of having to indulge unconvincing accents. But there were plenty of other problems. Primarily that it was just really boring; a conflict over drug-selling territory between various London rogues which felt a bit basic.

With Love, Meghan

Considering the extent to which she grinds the gears of certain performatively enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various forays into quaint lifestyle as deliberate provocations. But then you view them and are forced to concede that in this case, they may have a point. It’s like watching a lifestyle catalogue animated; a meme for evening drinks with delusions of grandeur; a procession of sleeping dogs, humming beehives, sentimental platitudes and pointless crafting “tips” you’ll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-worth. But for whatever reason, this three-part series opted not to explore them. Instead, the experience was like consuming a marketing brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up reeking of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of famous friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart recruitment of gifted younger comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from oddly breezy, somewhat stylised farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about secret services targeting – and killing off – academics honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator notorious for explicit escapades as she prepared for her most extreme feat yet. What on earth would possess her? What we wanted was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to haul her son away from the queue. What we got was disturbing shots and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Roger Sloan
Roger Sloan

A passionate gamer and tech journalist with over a decade of experience covering the gaming industry and emerging technologies.